Blue Rodeo The Days In Between Rare 2000 Press Kit – Very Rare ( 2 Available )

I have 2 at $200 each for the ultimate Blue Rodeo Collector out there .The price is firm.

These are one of a kind .

The Kit Includes Bio of Blue Rodeo & a write up on the new release of The Days In Between Album (2000) , An unpinned double-sided poster – of The Days In Between ` Album – 24 X 17 , a great picture folder In great shape. Light scuffing on cover in Blue Folder

This is one of 15 Rare Press Release Kits that will be offered online and on my website , in listings this week. A picture of all 15 kits is shown in the ad

Blue Rodeo’s affinity for the “roots music” styles of US pop – country, rockabilly, and folk-rock, as well as rock ‘n’ roll – initially drew Blue Rodeo comparisons to The Band and gave it both a populist and critical appeal. Bazil Donovan, Bob Wiseman, Greg Keelor, Mark French, Jim Cuddy (courtesy Artist Consulting Team Inc). Blue Rodeo. Rock band, formed in 1984 in Toronto by songwriters Jim Cuddy and Greg Keelor (vocals, guitars), with Bobby Wiseman (organ, piano, accordion), Bazil Donovan (bass) and Cleave Anderson (drums). Anderson was replaced in 1989 by Mark French. Cuddy and Keelor had previously worked together in the Hi-Fi’s (Toronto, 1978-81) and Fly to France (New York, 1981-4). Blue Rodeo made its debut in February 1985 and soon established a rigorous performing schedule, initially in bars in the Queen Street West district of Toronto (eg, the Horseshoe Tavern) and later in clubs and halls across Canada and in the US. It made some 250 appearances annually, among them many shows in remote Canadian communities – eg, Wikwemikong (Manitoulin Island, Ont), Frobisher Bay (Baffin Island), and Churchill Falls (Labrador). Its affinity for the “roots music” styles of US pop – country, rockabilly, and folk-rock, as well as rock ‘n’ roll – initially drew Blue Rodeo comparisons to The Band and gave it both a populist and critical appeal. Craig MacInnis (Toronto Star, 18 Dec 1988) noted, “Contradictions are what make good bands great, of course, and Blue Rodeo has a surplus: Jim Cuddy’s keening tenor vs. Greg Keelor’s ironic rasp; Bobby Wiseman’s jazzy keyboard arpeggio vs. the astringent buzz of dual rock guitars; cool, romantic ballads (“Try,” “Rebel”) vs. tough, cerebral narratives (“Piranha Pool,” “Outskirts”).”

From The Canadian Encyclopedia

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